Modern and contemporary major Minjung movements are,
The Tonghak Peasant Revolution in 1894,
The March 1st Independence Movement in 1919,
and the April Student Revolution in 1960.
These stories are interwoven in Chang Il-dam's narrative.
The collective psyche for the resolution of Han of hunger
has continually developed within the Korean Minjung's
underworld until rapid modernization from 1966 throughout 1980.
The image of God as Rice can allow me to meditate
on the Korean immanent image of Chon, heaven.
Young-Chan Ro claims that in terms of this theological method,
Minjung theology goes beyond the Western theological method,
unlike even liberation or Black theology.
He argues, when Western theology is mostly
a logos-oriented system that educes logos from myths,
Minjung theology has rediscovered the power of myth.
Myth-making in the dialogical imagination between social biography and
the Bible is understood to be essential to Minjung theology.