That's kind of a typical move, but again, once again,
it's not always the hard and fast rule.
So in this case, let's just leave this as our broad layout.
Now, in the Dvorak symphony, the New World Symphony, in the first movement,
we have an extra little component, which I think we've also encountered in our
course before, which is that before the exposition even begins,.
And I'm going to now erase a little bit of this to create some room.
Before the exposition begins,
we actually have a slow introduction.
And so this is also some material.
Slow introduction, then there's going to be a transition out of that,
into the onset of the exposition.
Now, in the Dvorak, you're going to hear a repeat.
That repeat, is actually not going to take us all the way back to
the beginning of the slow introduction.
It's in fact going to take us back to the beginning of the exposition proper.
So, you can think then, of this as having a slow introduction,
and then, repeat signs there, so that you going to hear the entire exposition,
then it's going to repeat back to the exposition again.
On the second pass through, you're going to hear the same thing.
When we get here there's going to be a slight modification so
[LAUGH] that we don't repeat over and over again.
A slight modification that's going to then lead us in to the development, and
then we're going to go all the way through to, to the recap, to the end of the piece.
So that's our crash course again in sonata form.
And now, what I'm going to do is I'm going to walk you through some of
the themes that we're going to hear in this movement.
And then we're going to actually walk through
a listening of the entire movement.
It takes about 11 minutes or so and
I'll try my best to not talk too much over the audio.
But I think I will talk over the audio so that I can guide you as we're going and
we can, we can talk about what we're hearing in real time.
So, at the very beginning, our first theme.