There are some examples of music where
we essentially have to compensate for the scoring.
And this is just a little bit challenging because the measures before J
are small texture, full dynamic, and then it goes to, large texture, small dynamic.
Let's see if we can exaggerate the road
map of the score, and make that distinction clearer.
Here's the pickup.
Let's go four before J with the pickup.
Let's make sure our tempo at J stays exactly the same.
[MUSIC]
It's like saying a very important secret at J.
It's soft but it's very important.
Same place.
Four before J.
[MUSIC]
That's better.
So really think of the, the dynamic variable the,
the volume as a completely independent variable of everything else.
So style's the same, style is still forte.
Articulation is still crystal clear, just, it's a little bit softer.
One more time, pick up the four before J.
[MUSIC]