Welcome to Voice Disorders: What Patients and Professionals Need to Know Knowledge regarding vocal production physiology and management options for voice disorders have experienced rapid growth over the past 40 years. This growth has resulted in a knowledge gap amongst patients and practitioners. Entirely new subspecialties of laryngology under otolaryngology and vocology under speech-language pathology have developed in response to this gap. This MOOC (Massive Open Online Course) is designed to educated patients, allied healthcare providers, vocal trainers/coaches, general medical practitioners and otolaryngologists. Participants will be exposed to current concepts on the physiology of voice production. These physiologic principles will be applied to speaking and performance voice production styles. Building on the knowledge of efficient voice production methods, participants will learn how vocal inefficiencies can lead to the development of voice disorders. Finally, behavioral, medical and surgical management options and indications will be presented. The course has been divided into five modules, each of which is followed by multiple choice questions: Week 1 - CME Information, Accreditation and Introduction (2 min) Week 2 - Module 1: Basic Anatomy and Physiology of the Speaking and Singing Voice (29 min. + quiz) Week 3 - Module 2: Applied Physiology (Function) (20 min. + quiz) Week 4 - Module 3: Changes in Vocal Effort and Quality (20 min. + quiz) Week 5 - Module 4: Principles of Voice Evaluation and Examination (17 min. + quiz) Week 6 - Module 5: Medical or Surgical Intervention (33 min. + quiz) Those participating in this course have the option to receive CME credit. Please review the CME Information and Accreditation prior to proceeding with the course modules. Release Date: June 15, 2017 Expiration Date: June 15, 2019 Estimated Time to Complete: 3 hours CME Fee: $30 CME Credits Offered: 3.0 CME Reviewer: Marita S. Teng, MD How to Receive CME Credit: For physicians who are interested in earning CME credits and other allied health professions who wish to receive a Verification of Attendance certificate, you must: a. Complete Signature Track (details to follow after enrolling in this course) b. Complete registration process through the Icahn School of Medicine at Mount Sinai, CME Office using the following link: http://cmetracker.net/MSSMCMEB/Login?formname=RegLoginLive&EventID=201453 (You will be required to pay an additional non-refundable fee of $30.00 in addition to the $49.00 fee for signature track.) To obtain your CME/CE certificate: Email an attached copy of your Verified Certificate from Coursera to the CME office at the Icahn School of Medicine at cme@mssm.edu and request your CME certificate. Please make sure the subject line reads: Coursera CME Course Planners Lynette Bobbitt Mark S. Courey, MD Lisa Chase Jill Gregory Gale Justin Paul Lawrence Erik Popil Christopher Smith Kelly Zerella Amy Zhong
Video for Module I - Part 2
Loading...
From the course by Icahn School of Medicine at Mount Sinai
Voice Disorders: What Patients and Professionals Need to Know
17 ratings
Icahn School of Medicine at Mount Sinai
17 ratings
From the lesson
Module I: Basic Anatomy and Physiology of the Speaking and Singing Voice
Meet the Instructors
Mark S. Courey, MDProfessor of Otolaryngology – Head and Neck Surgery | Chief of the Division of Laryngology
Otolaryngology – Head and Neck Surgery
In terms of voice production,
vocal folds need to close or nearly close to produce voice.
Vocal fold vibration is a passive phenomenon
in which air from the lungs is driven past the vocal folds.
Because the vocal folds or the space
between the vocal folds is smaller than the space in the lung,
the vocal folds themselves are driven into vibration.
That vibration produces a buzzing sound.
That buzzing sound is the neutral or schwa vowel and has a similar sound to.
I then use my tongue jaw lips mouth and throat muscles to
shape that neutral or schwa vowel sound into words.
This whole passive phenomena is referred to as
the myoelastic aerodynamic theory of vocal fold vibration,
and we'll go into this more later within this module.
Laryngeal function for voice then requires that we understand the vocal folds structure.
Here we have a human neck and the plane
cut through here is something called a coronal plane.
This is cut through the middle of the larynx and we
can see the trachea and the vocal folds structures that
we've seen earlier as well as
the super glottic vocal tract or the area above the vocal folds.
In real life, this close up segment translates to this region right here.
Here we have the thyroarytenoid muscle and then the skin or skin surface,
mucosal surface, of the human vocal fold.
The body-cover theory of vocal fold vibration also
promotes the fact that vocal fold vibration is a passive event.
Researchers in the mid-70s,
demonstrated and it was accepted that vibration was
not a neurologic phenomenon but actually a passive phenomena that
was due to differential physical properties of
the vocal fold cover that allowed it to vibrate separately from the vocal fold body.
Let's talk about the vocal fold cover for a few minutes.
First of all, mucosa or skin requires that we have an epithelial layer.
And underneath this epithelial layer,
we have a subepithelial layer.
The subepithelial layer helps support the living epithelial tissues.
It is responsible for maintaining connection of
this epithelial or cellular tissues with the underlying structures.
Within the human vocal fold,
because of the way we use our voice,
this subepithelial tissue differentiates into three specific layers.
These layers are determined by the concentration of
different proteins within this subepithelium.
The first layer is called the superficial layer of the lamina propria.
And it is composed of particles of proteins called glycosaminoglycans or glycoproteins.
These are responsible for the sponginess or
the thickness or thinness also known as viscosity of this layer.
The intermediate layer of this region is composed
primarily of these black fibers here which are elastin particles.
Lastly, the smallest or the deep layer of
this region seen in yellow here on this particular stain,
is composed of dense-packed collagen fibers.
Together, these form the layers
responsible for the body-cover theory of vocal fold vibration.
The cover is the epithelium plus the superficial layer of the lamina propria.
The transition zone also known as the vocal ligament is
the intermediate layer of the lamina propria which is rich in elastin,
and the deep layer which is rich in collagen.
The body is the thyroarytenoid muscle or the vocalis muscle.
Because of this rich elastin layer that develops through the way we use our voice,
the cover separates from the body during vibration.
This allows us to have high pitch and low pitch and everything in-between.
No other mammalian species has this arrangement of
the subepithelial tissues within their vocal fold.
The purpose of the intrinsic laryngeal musculature then is to bring the vocal folds skin,
the vibratory portion, into a nearly closed configuration.
We then through action of the thyroarytenoid muscle and the vocalis muscle,
control tension in the body and the cover separately and independently.
This allows us to contract or tense one portion without tensing the other,
or tense one portion without tensing the other,
allowing us to have different modes of vibration,
allowing us again to have low pitch and high pitch and everything in-between.
Dogs bark or growl but you rarely hear a dog glissando.
Here is the vocal folds seen in coronal section with a cartoon of vibration.
What happens here is the air comes up through the trachea,
is passed between the two vocal folds in the region called the glottis,
and because of the different air properties,
aerodynamic properties of this space,
it draws the vocal folds together and closes them and then it blows them open again.
This creates vocal fold vibration.
Here is a clinical view of vocal folds and here's what we see with laryngeal stroboscopy.
The vocal folds are vibrating.
They open to breath in and then our patient
closes them and begins to blow air through them,
and you can see how they are entrained or driven into vibration.
What are the requirements for laryngeal vibration?
We mentioned earlier the myoelastic aerodynamic theory of vocal fold vibration.
Specifically, the glottis needs to adopt an aerodynamic configuration.
The intrinsic laryngeal muscles are responsible for placing the vocal folds into
a nearly closed configuration so that
we can blow air through them in entrained vibration.
This requires intact muscle and
nerve function as well as a normal or intact mucosal surface.
If this mucosal surface is absent or derange,
it's going to affect our overall aerodynamic glottic space.
When I prepare to speak,
my brain tells my vocal folds to become
nearly close to adopt this aerodynamic configuration.
My brain sends signals to my vocal folds to place them into the appropriate position.
Studies of laryngeal muscle contraction demonstrate that this electrical activity within
the muscle occurs microseconds prior to the onset of sound.
This is referred to as the pre-phonatory burst.
My brain sets my vocal folds into the appropriate position for phonation to begin.
Other research has demonstrated that the ideal gap
between the vocal folds or the pre-phonatory whip is between 0.6 and one millimeter.
When I bring my vocal folds into that position,
I can entrain vibration of the vocal fold mucosa
with the least amount of effort with the most efficiency.
The Bernoulli principle is actually the conservation of energy in flowing fluids,
and air is a fluid.
It essentially states that as air speed increases,
the pressure will decrease.
We have the trachea with a large column of air coming up.
It needs to pass between the narrowed vocal folds or glottic space.
So that the air does not back up in the trachea,
each individual air particle needs to increase its speed.
As it increases its speed,
pressure around it will drop.
The pliable or myoelastic vocal fold tissue will then be drawn inward.
So, as the pressure drops,
the pliable rima glottic tissue is drawn inward toward closure.
This produces vocal fold vibration.
The cover is specifically defined as
the epithelium plus the superficial layer of the lamina propria.
This tissue needs to be well-hydrated and
supple so that in the body-cover theory of vocal fold vibration,
it will be drawn inward or together.
We can control the tension in this tissue through
contraction of the thyroarytenoid muscle or
the cricothyroid muscle which puts direct tension on
the vocal ligament and the cover region of the vocal fold.
The body-cover theory of vocal fold vibration
then relies on the myoelastic nature of the cover,
the deformability or suppleness of this region.
Remember, it wasn't until the middle 1970s that this theory was widely accepted.
The cover as we said,
is the epithelium plus the superficial layer of the lamina propria.
The transition zone is the vocal ligament.
It is the intermediate and deep layer.
The intermediate layer is rich in elastin,
and those elastin particles allow an uncoupling of the cover
from the body during vibration so that we can have different modes of vibration.
Just to give you an idea of this side,
the entire lamina propria or subepithelial tissue
is only a millimeter and one half in width.
It's roughly five to seven millimeters in height.
So I always tell my patients,
they're speaking with tissue the size of a dime or a nickel.
Here we see clinical vocal fold vibration under stroboscopy,
and we'll talk about stroboscobic principles in module three.
But we can see how we can stretch out the vocal folds to
give low pitched or higher pitched vibration.
This relies on the ability to close the vocal folds.
We have to have intact nerve and muscles,
and we have to know how to stretch them,
to tense them, and how to relax them,
to take them off tension to allow lower pitched vibrations.
This concludes module one.
In summary of module one,
I stated at the very beginning that,
it's my belief that benign vocal fold lesions are a response to trauma.
This is not trauma like you'd get from a car wreck or a choking episode.
This is vocal trauma from the way we speak,
which we'll talk more about in modules two and three.
Vocal trauma is the most common source of that injury.
Surgery for vocal fold lesions then is only indicated after
failure to have vocal improvements from
voice therapy which addresses the way we produce voice,
hopefully reducing the amount of vocal trauma.
Specialized muscles both inside,
intrinsic to the larynx,
and outside, extrinsic to the larynx,
place the vocal folds in an appropriate position and
stabilize the larynx within the neck to allow voice to be produced.
The body-cover theory established by researchers in the mid-1970s,
explains current concepts of vocal fold vibration.
Vocal fold vibration is a passive event.
It occurs due to differential tension and mass
between the cover and the body of the vocal folds.
I look forward to presenting module two to you.
Explore our Catalog
Join for free and get personalized recommendations, updates and offers.
Coursera provides universal access to the world’s best education,
partnering with top universities and organizations to offer courses online.
© 2018 Coursera Inc. All rights reserved.
